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“Vision of Flight” Premiere by the Danish National Girls Choir

The Danish National Girls Choir (DR Pigekoret), director Phillip Faber, and cellist Henrik Dam Thomsen, premiered “Vision of Flight” at the DR Koncerthuset in Copenhagen on May 27th. This project was a unique collaboration with the choir—I spoke at length with a subset of the choir about their experiences as young women today, and their insights and ideas inspired the poem I wrote for this work. It was incredible to work with these talented and dedicated musicians in Copenhagen and experience the premiere. You may also enjoy the full TV broadcast of this excellent performance (here’s the program).

Composers Now “IMPACT” Feature

An Aleatoric Year

The 2020-2021 season was a time of connecting with choirs online, and composing works that embrace the latency of the internet. Thus, all of the recent additions to my catalogue make great use of aleatoric technique. Many, such as Here I Am and Reunion, enabled singers to make music together during lockdown and extended pandemic restrictions. Some, such as Meditation (above) and Isolation, were performed both online and in-person. All have the flexibility to continue to be performed as we gradually go back to creating music the way we always have, though with a new sense of gratitude.

“Ana El Na” featured on live Harmonium Choral Society album

Our last night out before the spring lockdown, Charles and I enjoyed the Harmonium Choral Society’s Open Minds concert. They performed a wide range of choral works focusing on mental illness and its impact, including my setting of a Hebrew prayer for physical and emotional healing, “Ana El Na.” It’s a round in three parts, and they invited the audience to join in the first part of the round while surrounding the audience to sing all three parts. Harmonium, with artistic director Anne Matlack, has now released a live album of recordings from that program (available on apple music, spotify, and amazon). Enjoy listening and perhaps feeling like you are surrounded by voices wishing for everyone’s well being. It’s more needed than I ever imagined.

The Choir of Trinity College, Melbourne Released “To Be Free” Recording

Walking On Waves is the latest album by The Choir of Trinity College, Melbourne, with Director of Music Christopher Watson. The album features “To Be Free” alongside Irish, Scottish, and American Folk Songs. Available on iTunes, Amazon, CdBaby, Spotify, and Deezer.

“Why Do We Love Our Guns” Featured on Tonality’s Album Sing About It

Tonality, with artistic director Alexander Lloyd Blake, recently released it’s first album, Sing About It. I’m thrilled to have “Why Do We Love Our Guns,” recorded by the trebles of Tonality, included in this powerful collection of songs. Available on iTunes, Amazon, CdBaby, and Spotify.

bio

Bio

photo by Brian Critz

Composer Karen Siegel draws on her experience as a vocalist in her creation of innovative choral and vocal works. Hailed as “complex and wonderful,” (TheatreScene.net) and “colorful and at times groovy” (WQXR.org), her works are frequently performed by the New York City-based ensemble C4: the Choral Composer/Conductor Collective, which she co-founded in 2005. Many of her recent works focus on social or environmental justice themes.

Recent commissions include “Despertar,” a collaboration with the poet Carlos Pintado commissioned by Consonare Choral Community, Peninula Women’s Chorus, the West Village Chorale, and the Yale Glee Club; the choral sound installation “Lessons of Stone,” for the Astoria Choir at the Noguchi Gallery in Long Island City; the feminist collaborative work “Vision of Flight”,for the Danish National Girls’ Choir and cellist Henrik Dam Thomsen; and the live remote choral project “Reunion,”which brought together Joyful Noise, Cambridge Common Voices, the Central Illinois Youth Chorus, and cellist Martin Laufhutte across six states. The latter work was part of Karen’s initiative to foster live remote choral singing during the isolation phase of the COVID-19 pandemic, composing commissions for the medium and leading workshops in online singing. That initiative included “Here I Am,” composed by Karen as a gift to the choral community and premiered by C4 in the first livestream remote choral concert of the social distancing age.

The Hat: Arendt Meets Heidegger, Karen’s one-act opera, premiered at the Pride Arts Center in Chicago with Thompson Street Opera Company in 2019. With a libretto by Zsuzsanna Ardó,The Hat imagines the igniting of intellectual and sexual sparks between these historical figures, despite their disparate backgrounds.

Karen’s works are featured on albums by the Harmonium Choral Society, the Choir of Trinity College Melbourne, Tonality, and C4; are published by See-A-Dot Music Publishing and Chestnutoak Press; and are distributed under the Creative Commons license in the Justice Choir Songbook. Her compositions have won the 2018 Yale Glee Club Emerging Composers Competition and the Esoterics’ 2014-2015 POLYPHONOS Choral Composition Competition (National Composer category), Khorikos ensemble’s 2015 ORTUS competition, the New York Virtuoso Singers 2013 Choral Composition Competition, the 2009 Starer Award for Composition at the City University of New York Graduate Center, and the Manhattan Choral Ensemble’s 2008 Commissioning Competition, as well as awards from Boston Metro Opera and NYU.

Karen received a PhD in composition from the CUNY Graduate Center, where she studied with Tania León; and she holds degrees from Yale (BA in psychology) and NYU Steinhardt (MM in composition), where she studied with Marc-Antonio Consoli. She has been on the faculty at Drew University and the City College of New York. Karen lives in Hoboken, New Jersey with her husband and two sons.

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